Community Production Project – Session 5

Subcity LASER Party // The Art School // 13.06.10
Subcity LASER Party // The Art School // 13.06.10” by Subcity Radio is marked with CC BY-NC-ND 2.0.

SUMMARY

Role

Screenwriter

Intention (SMART Goal)

By May 10th, as part of film team 2, I will have used screenwriting beats that end in therefore or but, not and then to raise the tension and convey the theme of community in my script by using “How to Write a Screenplay”.

PRE-PRODUCTION – INQUIRY

Leader(s) in the Field / Exemplary Work(s)

Akira Kurosawa -“After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943).”

His first film he made without extensive studio interference was Drunken Angel , made in 1948. Kurosawa made his international breakthrough film Rashomon made in 1950, and it won the top prize at the Venice Film Festival. Some other films he wrote are No Regrets For Our Youth (1946), Scandal (1950), Rashomon (1950), Ikiru (1952), Seven Samurai (1954), Throne of Blood (1957), Yojimbo (1961), Dersu Uzala (1975), Ran (1985), and Madadayo (1993).

Training Source(s)

How to Write a Movie Script: Screenplay Format and Examples

QueNotes
Scene Heading- INT is inside and EXT is outside
Subheading- used to change location without breaking the scene
Transitions- CUT TO and FADE OUT
Character Introductions- use all capital letters for name, then reference their age, and some information about them
Action- where you describe visual and audible actions, you want to write in third person and present tense
Dialogue- under character that is saying the line
Extensions- when an actor says something off screen (O.S.) or if dialogue is voice-over (V.O.)
Parenthetical- can be used inside your dialogue to show small actions or change in mood without having to jump out to an action line
Camera Shots- you can format particular shots like a subheading

Summary:

Project Timeline

  1. Start Pre-Production
  2. Choose Role
  3. Create a SMART goal
  4. Research a leader in the field and their work (take notes)
  5. Research screenwriting and writing screenplays using therefore or but and take notes
  6. Create a timeline for the project
  7. Collaborate with the team, discuss film ideas
  8. Write log-line
  9. Create a storyboard
  10. Present storyboard to class
  11. Create Trello board with scrum
  12. Write Screenplay
  13. Start Production
  14. Gather equipment and props
  15. Help and support team members with their roles for production of the film
  16. Start Post-Production
  17. Work on presentation
  18. Work on blog post
  19. Finish presentation and blog post
  20. Present to class
  21. Finish post-production

Proposed Budget

PRODUCTION – ACTION

The FILM

Skills Commentary

Slideshow

I acted as screenwriter in this session and my evidence is in the slideshow.

POST-PRODUCTION – REFLECTION

21st Century Skills

Ways of Thinking (Creativity, Innovation, Critical Thinking, Problem Solving)

My team and I problem solved in the scenes leading up to the dance party scene. We ran out of time because of uncontrollable things so we had to cut down some of the scenes and make them shorter and we had to cut out scenes completely.

Ways of Working (Communication & Collaboration)

My team and I had to communicate and collaborate when our original ideas for the film didn’t work out, we had to communicate what our new ideas were. We also had multiple people throughout the production cycle get sick and missed days, so we had to collaborate and communicate on how to move forward to keep getting things done.

Tools for Working (Info & Media Literacy)

To write the script for the film I used celtx.com and as a team we used Scrum for Trello which kept me and my team organized.

Ways of Living in the World (Life & Career)

Throughout this film, we experienced multiple set backs and had to work through them to finish our film. Problem solving and adapting are very important life skills to have in the world.

Reactions to the Final Version

A classmate named Jack said that our film had “Really good character development.”

Self-Evaluation of Final Version

Simple – The log-line was simple and this was reflected in the film. There weren’t any out of place details about Mr. McNabb going missing that would confuse viewers.

Unexpected – Our film was unexpected because at the end when we finally find Mr. McNabb and Emma, Mr. McNabb is DJ’ing a party with Emma instead of getting the papers like he said.

Concrete – Having a well known teacher in our film was memorable and fun.

Emotional – The ending of the film evoked emotions in viewers because it made them laugh.

Grammar and Spelling

Grammarly

Editor

Emma

Hallway Scene Research

This scene is from the movie The Breakfast Club. I chose this scene because it has good angles and I like the speed they used, which will will incorporate into the hallway scene in our film.

QueNotes
How did the cinematographer follow the people so smoothly in the first hallway scene that was off-centered? -in the first hallway scene, they are calm and the camera angle is off-centered
-camera leads them walking, then lets some pass to get the other people in frame
-walking calmly but also worried about getting caught
-close up of different shoes walking and then stopped for a second, and then they turn the corner
-running in hallway to get to where they want to go faster

Summary

The off-centered angle and the smoothness of the camera are important for our film as well. We should use the close up of the shoes to start our hallway scene and then slowly back up to show the characters.

Andrew Stanton Storytelling

QueNotes
storytelling is joke telling
know your punchline and ending
leading to one goal
make audience care
stories should make a promise in beginning
storytelling without dialogue is purest form
well organized absence of info that draws audience in
not predictable but inevitable
all characters have a spine
if things go static stories die
drama is anticipation mingled with uncertainty
anticipation is tension, we want to know it’s going to happen
storytelling has guidelines, not hard fast rules
like the characters you write about
story needs a strong theme
best stories infuse wonder
use what you know, draw from it, capture a truth

Summary: A good story isn’t predictable, but it is inevitable. You should know your beginning and end which leads to one end goal. All stories should have strong themes and infuse wonder within them. You should write about what you know because it captures a truth.

Story Of Film – Episode 2 – The Hollywood Dream

The following material is from Wikipedia.

1918-1928: The Triumph of American Film…

…And the First of its Rebels

Production Project Session 4

Black car“Black car” by Matthew Paul Argall is licensed under

SUMMARY

Role

Screenwriter

Intention (SMART Goal)

By March 2nd, as part of my film team, I will explore the screenwriter’s skill pathway by following The Visual Story by Bruce Block and will have created scenes that use tone and contrasted lighting to show a character’s split mind over the scenes of our Session 4 project.

PRE-PRODUCTION – INQUIRY

Leader in the Field / Exemplary Work(s)

  • John Hughes
  • A quote from John Hughes about screenwriting, “I happen to go for the simplest, most ordinary things. The extraordinary doesn’t interest me. I’m not interested in psychotics. I’m interested in the person you don’t expect to have a story.”
  • He wrote or co-wrote 31 movies including the seven below.
  • The Breakfast Club, Ferris Bueller’s Day Off, Pretty in Pink, Sixteen Candles, National Lampoon’s Christmas Vacation, Home Alone, 101 Dalmatians.
  • He wrote sixteen candles basically over the weekend.
  • National Lampoon’s Christmas Vacation started as a short story called Christmas ’59.

Training Source(s)

  • The Visual Story by Bruce Block
  • Tone
  • Control the gray scale
  • Coincidence and non-coincidence of tone
  • Contrast and affinity
  • Dark tones, light tones, contrasty tones
  • Exposure (normal, light, and dark)
  • Find the subject, don’t confuse color with tone, hide or reveal objects
  • Staging props based on where light is
  • Screenwriting Tone: The Definitive Guide
  • Tone in screenwriting is is the mood that you write through the words you chose.
  • The tone shows the audience how they should feel about what’s happening.
  • Write for how you want the audience to feel, that feeling is the tone you’re portraying.
  • Examples of tones are scary, anxious, exciting, worried, serious.

Project Timeline

  1. Start Pre-Production
  2. Choose role
  3. Make a SMART goal
  4. Research visual story element tone.
  5. Create Shot list
  6. Create a timeline for the project.
  7. Collaborate with the team, discuss film ideas.
  8. Write log-line.
  9. Create Trello board with scrum
  10. Write script
  11. Start Production
  12. Gather Equipment and Props
  13. Coordinate clothing with Director
  14. Any changes to script with Director
  15. Start Post Production
  16. Work on presentation.
  17. Work on the blog post.
  18. Finish presentation and blog post.
  19. Present to class.
  20. Reflect on what could be done better.
  21. Present to Advisory Committee.

Proposed Budget

doing in teams later

PRODUCTION – ACTION

The FILM

Film

Skills Commentary

Slideshow

I controlled tone through affinity and contrast using Adia and the car window.

POST-PRODUCTION – REFLECTION

21st Century Skills

Ways of Thinking (Creativity, Innovation, Critical Thinking, Problem Solving)

I was creative when using tone in the film. For example I had the window rolled down to show Adia’s face to represent affinity, and I had the window rolled up to hide Adia’s face to represent contrast.

Ways of Working (Communication & Collaboration)

I was a communicator and collaborator during our group decisions. We discussed how we were going to film certain scenes and how to solve problems.

Tools for Working (Info & Media Literacy)

I used Celtx to write my script and I used the book Visual Story by Bruce Block to learn about the story element tone and how I can implement tone into the film.

Ways of Living in the World (Life & Career)

I learned how to be a problem solver, and a researcher. I researched the story element of tone to help add affinity and contrast to the film. I was a problem solver when we talked in our groups and discussed how to film certain scenes.

Reactions to the Final Version

We had a few advisory members watch our film and presentation to give us feedback. Michelle said, “good job looking at the class when presenting and explaining what you did and why”. James had feedback for the whole group saying “try to intertwine the story elements together”.

Self-Evaluation of Final Version

Simple – Our logline was “Lily trying to deliver a package to someone”, which is very simple.

Unexpected – Our film was unexpected at the end when the package was made into a smoothie.

Emotional – Our film was emotional because it showed Lily rushing and worried.

Stories – Our film told a story that some people might be able to relate to.

What I Learned and Problems I Solved

I learned about the story element tone and how to incorporate it in the film. I problem solved by sharing my ideas for scenes when we got stuck or didn’t know how to film it.

Grammar and Spelling

Grammarly

Editor

Emma

Visual Story Structure Research

House II: The Second Story“House II: The Second Story” by On Location in Los Angeles is licensed under CC BY-SA 2.0

Seven Visual Story Components

CueNotes
 questionsSpace- deep space, flat space, limited space, and ambiguous space. Emphasize longitudinal planes, move the camera, use wide angle lens.
 Line and Shape- line, linear motif, contrast and affinity (orientation, direction, quality), shape, contrast and affinity (2D and 3D). Shape control requires examination of object’s silhouette.
How does tone connect with screenwriting? Tone- controlling gray scale, coincidence and non-coincidence of tone, contrast and affinity. Dark tones, light tones, contrasty tones. Exposure (normal, light, and dark). Find the subject, don’t confuse color with tone, hide or reveal objects. Staging based on where light is.
 Color- teal and orange, light, color systems (the additive system is mixing light-red, green, blue and the subtractive system is mixing pigments-magenta, yellow, cyan). Hue, brightness, and saturation. Color palette, filters, time/location.
 Movement- actual movement, apparent movement, induced movement, relative movement, simple and complex, movement in screen world, contrast and affinity, continuum of movement.
 Rhythm- rhythm of stationary objects, rhythm of moving object, the event, rhythmic patterns, contrast and affinity, don’t confuse rhythm with movement.
 

Summary

Resources

Production Project Session 3

Creepy Doll

SUMMARY

Role

Screenwriter

Intention (SMART Goal)

By January 28th, as a part of Team 2, I will have read Screenwriting For Dummies to be able to write a few drafts with a three-act structure.

PRE-PRODUCTION – INQUIRY

Leader(s) in the Field / Exemplary Work(s)

  • James Cameron:
  • Wrote Aliens, The Abyss, Terminator, Avatar, Titanic

Training Source(s)

Project Timeline

  1. Present storyboard to class
  2. Get materials

Proposed Budget

PRODUCTION – ACTION

The Film

Skills Commentary

POST-PRODUCTION – REFLECTION

21st Century Skills

Ways of Thinking (Creativity, Innovation, Critical Thinking, Problem Solving)

I was creative when I added tension to the script/film. I added a creaky door sound and a scream. I problem solved with the doll shadow and figured out that if I hold the doll a certain way my arm wouldn’t show in the camera view.

Ways of Working (Communication & Collaboration)

I was a communicator and collaborator during our group decisions. We discussed what we wanted to do in the film and how to solve problems.

Tools for Working (Info & Media Literacy)

I used Celtx to write my script and I used scriptmag.com to help me add tension to my script.

Ways of Living in the World (Life & Career)

Reactions to the Final Version

After presenting the film, this is the comment I received:

Reece- “I like what you chose to add to the script to increase the tension.”

Self-Evaluation of Final Version

What I Learned and Problems I Solved

Grammar and Spelling

Editor

Structuralism Film Theory Research

Film theories from this article: Research Film Theory

QueNotes
examine the foundations or structure of language
Ferdinand de Saussure argued that all language is composed of 2 parts, a signifier and signified.
signifier “sound pattern” said out loud of thought of silently
signified is the meaning of the word spoken or thought of
“tree” is a signifier and the actual plant is the “signified”
individual frames in a scene are structured to emphasize ideologies within The Birds.
The Birds is by Hitchcock
What does forward female behavior mean? Why is it bad?Raymond Bellour insists that relationship between frames in famous “the birds attack” scene supplies the film with its “forward female behavior is bad” theme
several frames in scene set up where actor is looking and what actor is looking at dynamic
the camera repeatedly as if it’s on a loop moves from where to what she’s looking at
when audience is comfortable with back and forth movement, Hitchcock interrupts it with shocking shot of a seagull in air, then a shot of seagull attacking actor
Bellour argues that when Hitchcock interrupts patterns he’s set up he’s trying to emphasize underlying themes within film

Summary

pick a theory

at bottom read how applied

Story of film – Episode 1 – Birth of the Cinema

image here

big idea on using reflection/ light and allusion of movement, cut and editing.

The following material is from Wikipedia.

Introduction

1895-1918: The World Discovers a New Art Form or Birth of the Cinema

1903-1918: The Thrill Becomes Story or The Hollywood Dream

10 Screenwriting Tips from Quentin Tarantino

Notes